A. M. Willner

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R.I.P
A.

Alfred Maria Willner (11 July 1859 – 27 October 1929) was an Austrian writer, philosopher, musicologist, composer and librettist.

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Biography Alfred Maria Willner was born and died in Vienna. He began composing mostly music for the piano and eventually made a career writing librettos for ballets, operas and operettas. One of his early operettas was Johann Strauss II’s Die Göttin der Vernunft, a commission that Strauss regretted. Strauss was forced to complete the commission only by the threat of a lawsuit and declined to attend a performance. Later the libretto and score were legally separated, and Willner revised the libretto for Franz Lehár as Der Graf von Luxemburg. Willner's first big success was his libretto for Leo Fall’s Die Dollarprinzessin, after which he became a much sought-after operetta librettist. He wrote several successful librettos for Lehár operettas, particularly in collaboration with Heinz Reichert. The two also collaborated on highly successful adaptations of music by Schubert (such as Das Dreimäderlhaus) and by Johann Strauss father and son (such as Walzer aus Wien). In addition, Willner and Reichert were the contracted librettists for Puccini's opera La rondine which was later adapted by Giuseppe Adami. Willner and composer Sigmund Romberg were the producers for the 1921 Broadway production of Love Birds. Alfred Maria Willner was cremated at Feuerhalle Simmering in Vienna, where…Citește mai mult

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Librettos Das Heimchen am Herd (opera), music by Karl Goldmark, 1896 Die Schneeflocke (opera), music by Heinrich Berté, 1896 Der Schmetterling (operetta, with Bernhard Buchbinder), music by Charles Weinberger, 1896 Die Göttin der Vernunft (operetta, with Buchbinder), music by Johann Strauss II, 1897 Fräulein Hexe (operetta, with Buchbinder), music by Josef Bayer, 1898 Die Debutantin (operetta, with Heinrich von Waldberg), music by Alfred Zamara, 1901 Das Baby (operetta, with Waldberg), music by Richard Heuberger, 1902 Die Millionenbraut (operetta, with E. Limé), music by Berté, 1904 Der schöne Gardist (operetta, with A. Landesberg), music by Berté, 1907 Der kleine Chevalier, (operetta), music by Berté, 1907 Die Dollarprinzessin (operetta, with Fritz Grünbaum), music by Leo Fall, 1907 Ein Wintermärchen (Opera), music by Goldmark, 1908 Baron Trenck (operetta, with Robert Bodanzky), music by Felix Albini, 1908 Ein Mädchen für Alles (operetta, with Waldberg), music by Heinrich Reinhardt, 1908 Die Paradiesvögel (operetta, with Julius Wilhelm), music by Philipp Silber, 1908 Die Glücksnarr (operetta, with Landesberg), music by Berté, 1908 Die Sprudelfee (operetta, with Wilhelm), music by Reinhardt, 1909 Der Graf von Luxemburg (operetta, with Bodanzky), music by Franz Lehár, 1909 Zigeunerliebe (operetta, with Bodanzky), music by Lehár, 1910 Schneeglöckchen (operetta, with Wilhelm), music by…Citește mai mult

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Libellentanz (Revue-Operette), music by Lehár, 1923 Agri (operetta, with Sterk), music by Ernst Steffan, 1924 Ein Ballroman [Der Kavalier von zehn bis vier] (operetta, with Österreicher and F. Rotter), music by Robert Stolz, 1924 Der Mitternachtswalzer (operetta, with Österreicher), music by Robert Stolz, 1926 Ade, du liebes Elternhaus [Die Lori] (Singspiel, with Reichert), music by O. Jascha, 1928 Rosen aus Florida (operetta, with Reichert), music by Korngold, after Leo Fall, 1929 Walzer aus Wien (Singspiel, with Reichert and Ernst Marischka), music by J. Bittner and Korngold, after J. Strauss II and I, 1930

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Filmography The House of Three Girls, directed by Richard Oswald (Germany, 1918) Das Milliardensouper , directed by Victor Janson (Germany, 1923) The Count of Luxembourg, directed by Arthur Gregor (1926) Der Mitternachtswalzer, directed by Heinz Paul (Austria, 1929) The Rogue Song, directed by Lionel Barrymore (1930, based on Gypsy Love) Die Faschingsfee, directed by Hans Steinhoff (Germany, 1931) Waltzes from Vienna, directed by Alfred Hitchcock (UK, 1934) Blossom Time, directed by Paul L. Stein (UK, 1934) Frasquita, directed by Karel Lamač (Austria, 1934) Eva, directed by Johannes Riemann (Austria, 1935) Three Girls for Schubert, directed by E. W. Emo (Germany, 1936) Where the Lark Sings, directed by Karel Lamač (Germany, 1936) Where the Lark Sings, directed by Hans Wolff (Austria, 1956) The Count of Luxembourg, directed by Werner Jacobs (West Germany, 1957) The House of Three Girls, directed by Ernst Marischka (Austria, 1958) The Count of Luxembourg, directed by Wolfgang Glück (West Germany, 1972)

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Sources The New Grove Dictionary of Opera, edited by Stanley Sadie (1992), ISBN 0-333-73432-7 and ISBN 1-56159-228-5 The Oxford Dictionary of Opera, by John Warrack and Ewan West (1992), ISBN 0-19-869164-5