🔍 MăreșteIn memoriam
Endre Szervánszky (27 December 1911 – 25 June 1977) was a Hungarian composer.
Endre Szervánszky a publicat o actualizare
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Family He was the brother of artist Jenö Szervánszky and violinist Peter Szervánszky (who gave the Hungarian premiere of Bartók's Second Violin Concerto) and the uncle of pianist Valeria Szervánszky. He died in Budapest.
Endre Szervánszky a publicat o actualizare
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Chamber String Quartet no.1, 1936–8 20 Little Duos for 2 violins, 1941 Sonata for violin and piano, 1945 25 Duos for 2 violins, 1946 Trio for flute, violin and viola, 1951 Sonatina for flute, and piano, 1952 Wind Quintet no.1, 1953 5 Koncert etűd – “5 Concert Etudes” for flute, 1956 Suite for 2 flutes, 1956 String Quartet No.2, 1956–7 Wind Quintet no.2, 1957 2 Duos for 2 flutes, 1972 7 Studies for flute, 1974–5
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Biography Szervánszky was born in Kistétény and studied the clarinet at the Budapest Academy of Music (1922–27). He played in various orchestras before returning to the academy to study composition with Albert Siklós (1931–36). He then worked as an orchestrator for the Hungarian Radio and taught musical theory. He was appointed professor of composition at the Budapest Academy in 1948. Szervánszky first came to public attention with his First String Quartet (1936–38) and his works of this period were influenced by his compatriots, Zoltán Kodály and Béla Bartók. Works for this time include the Clarinet Serenade (1950) and the Flute Concerto (1952–53). From the early 1950s Szervánszky embarked on a series of larger compositions, one of the longest being the Concerto for Orchestra in memory of Attila József. Each of the concerto's five movements is based on a quotation from József. The fourth has folk music elements and the whole demonstrates the influence of Bartók. Both the String Quartet no.2 (1956–57) and the Wind Quintet no.2 (1957) also demonstrate the composer's increasing interest in serialism. For his Six Orchestra Pieces, composed in 1959, Szervánszky employed 12-note serialism and the piece is particular in its use of percussion. Szervánszky did not…