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Countess Fanny "Franziska" zu Reventlow (Fanny Liane Wilhelmine Sophie Auguste Adrienne) 18 May 1871 – 26 July 1918) was a German writer, artist and translator, who became famous as the "Bohemian Countess" of Schwabing (an entertainment district in Munich) in the years leading up to World War I.
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Countess Fanny "Franziska" zu Reventlow (Fanny Liane Wilhelmine Sophie Auguste Adrienne) 18 May 1871 – 26 July 1918) was a German writer, artist and translator, who became famous as the "Bohemian Countess" of Schwabing (an entertainment district in Munich) in the years leading up to World War I.
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Life Fanny (or Franziska, as she was also called later) Reventlow was born in the family seat at Husum into the German nobility, the fifth of six children of Ludwig, Count zu Reventlow (1825–1894) and his wife Emilie (1834–1905). The family were on friendly terms with the North German writer Theodor Storm. Her eldest brother Theodor died as a fifteen-year-old, her other brother Ernst, was an ultra-nationalist writer and eventually became a Nazi. While young she was in constant conflict with her mother. She was thrown out of boarding school for misbehavior and lack of respect for the authorities. After being sent to stay with a family friend in 1893, she fled to Hamburg. Here she met Walter Lübke, who financed her art studies in Munich, and whom she married in 1894. Her artistic studies also included singing, with instruction by Charlotte Lachs. The marriage broke up when she set off again in 1895 to Munich, to continue her studies. They were divorced in 1897. In September of that year her son Rolf was born; she never divulged the name of the father (although it is very likely to have been the Polish-born painter & engraver Adolf Eduard Herstein). In…
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Feminism Reventlow is best known as one of the most unorthodox voices of the early women's movement in Europe. While many of her peers were pressing for improved social, political, and economic rights for women, Reventlow argued that ardent feminists, whom she labelled "viragos," were actually harming women by attempting to erase or deny the natural differences between men and women. Reventlow maintained that sexual freedom, and the abolition of the institution of marriage, were the best means by which women could hope to achieve a more equal social standing with men.
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Works (with Otto Eugen Thossan) Klosterjungen. Humoresken (two stories), Wigand, Leipzig 1897 Das Männerphantom der Frau (Essay), in: Zürcher Diskußionen 1898 Was Frauen ziemt (Essay); under the title Viragines oder Hetären? in: Zürcher Diskußionen 1899 Erziehung und Sittlichkeit (Essay), in: Otto Falckenberg, Das Buch von der Lex Heinze. Leipzig 1900
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Ellen Olestjerne, J. Marchlewski, Munich 1903 Von Paul zu Pedro, Langen, Munich 1912 Herrn Dames Aufzeichnungen oder Begenheiten aus einem merkwürdigen Stadtteil, Langen, Munich 1913
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Der Geldkomplex, Langen, Munich 1916 Das Logierhaus zur Schwankenden Weltkugel und andere Novellen, Langen, Munich 1917 Tagebücher (ed. Irene Weiser, Jürgen Gutsch), Stutz, Passau 2006
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Sources Stein, Gerd (1982). Bohemien-Tramp-Sponti (in German). Fischer. ISBN 3-596-25035-8. Wendt, Gunna (2008). Franziska zu Reventlow. Die anmutige Rebellin. Biographie (in German). Aufbau-Verlag. ISBN 978-3-351-02660-8. Egbringhoff, Ulla (2000). Franziska zu Reventlow (in German). Reinbek (rm 614). ISBN 3-499-50614-9.
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Biography Data on Fanny zu Reventlow und E-Texts of her diaries and books (in German) Works by Fanny zu Reventlow at LibriVox (public domain audiobooks)