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In memoriam

Bulgarian Prime Minister, Communist Party Leader. A revolutionary from boyhood, he was a leading figure in the 1923 Communist revolt against Bulgarian leader Alexander Tsankov. When the revolt failed, he fled Bulgaria and continued to work for the Communist cause. In 1933 he was arrested in Berlin for alleged involvement in setting the German Reichstag building on fire. His conduct of his defense and the accusations he made toward his prosecutors won him worldwide fame. He was acquitted and went to the Soviet Union, which made him a citizen of their country. He was secretary general of the Comintern from 1934 until its dissolution in 1943. In 1944 he returned to Bulgaria to head the Communist Party in his home country. In 1946 he became the first Communist leader of Bulgaria when he succeeded Kimon Georgiev as Prime Minister. Even though he was very close to Stalin, he tried to forge a federation with Josip Broz Tito's Yugoslavia. He died in 1949 while at a health resort near Moscow. There were rumors that he had been poisoned. A mausoleum was built in a record six days in the Bulgarian capital Sofia to house his embalmed remains. The body was removed and cremated in 1990 after the fall of Communism in Bulgaria and was buried in Sofia's Central Cemetery. The mausoleum was demolished amidst much controversy in 1999.

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Georgi Dimitrov a lăsat un gând

ieri

Georgi Dimitrov (Bulgarian: Георги Димитров) (2 May 1904 – 12 March 1979) was a Bulgarian composer. He was notable for composing the music for the national anthem of Bulgaria from 1947 until 1951, Republiko nasha, zdravey!. Other notable compositions including Foot and Cross, Kulak, and The Chervenkov Way.

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Georgi Dimitrov a lăsat un gând

ieri

Early life Dimitrov was born to a Bulgarian family of Angelina and Dimitar Petrovi in Belogradchik, Bulgaria. His name was taken from the Gergyovden day (Saint George's Day), that occurred in the eve of his birth. He spent his youth and teenage years in Belogradchik and Lom, where he studied at Lom Pedagogical School. Dimitrov was raised in a musical family; his mother was a singer, and his father was a violinist. He would follow in his father's footsteps and also pick up the violin, studying under Belcho Belchev and Obreten Evstatiev. Dimitrov's early years were tumultuous, marked by a struggle against the status quo. This pushed him to leave the country at 19, spending some time in Romania, Yugoslavia, and then settling down on Poland for 15 years. In the fall of 1927, Georgi Dimitrov became a student at the Warsaw Conservatory. Among his teachers were Stanisław Kazuro, Kasimir Sikorsky, Grzegorz Fitelberg, Stanisław Viekhovich. During his time at the conservatory, he would study music theory, harmony, voice, conducting, and composition, along with his violin training. He would also come into contact with Karol Szymanowski, a Polish composer. Georgi Dimitrov married Lyuba Palikarova.Now needing to support his new family, he…

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Georgi Dimitrov a lăsat un gând

ieri

Career In 1938, Georgi Dimitrov returned to Bulgaria, filled with ideas and business plans. The qualities of the 35-year-old musician do not go unnoticed and gradually he starts to "climb" on the steep music and public ladder. In this process an important role played the impressive success achieved by the man-made chamber choir - which mainly promotes the work of the Bulgarian composers, who regularly concerts "live" in Radio Sofia. His work as a music inspector at the Ministry of National Education and the Artistic Secretary of the Sofia Opera have confirmed him as a prospective conductor, composer and public figure with a high state feeling. In the years after the end of the Second World War, Dimitrov headed the new state structure "Directorate for Music, Creativity and Performing Arts" through which state policy on culture was implemented. Under Georgi Dimitrov's leadership, a large-scale prospective plan was developed and carried out, involving: - the creation of new state symphony orchestras and operas in Plovdiv, Varna, Rousse, Pleven, Bourgas, Shumen, Vidin, Vratsa; - the introduction of "government procurement" practices as stimulus for the creation of new musical works; - the regulation of Bulgarian music as the main indicator in the repertoire…

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