Hermann Kafka

Hermann Kafka a adăugat o fotografie

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R.I.P
Hermann

Franz Kafka (3 July 1883 – 3 June 1924) was a German-language Jewish Czech writer and novelist born in Prague, in the Austro-Hungarian Empire. Widely regarded as a major figure of 20th-century literature, his works fuse elements of realism and the fantastique, and typically feature isolated protagonists facing bizarre or surreal predicaments and incomprehensible socio-bureaucratic powers. The term Kafkaesque has entered the lexicon to describe situations like those depicted in his writings. His best-known works include the novella The Metamorphosis (1915) and the novels The Trial (1924) and The Castle (1926). He is also celebrated for his brief fables and aphorisms, which frequently incorporated comedic elements alongside the darker themes of his longer works. His work has widely influenced artists, philosophers, composers, filmmakers, literary historians, religious scholars, and cultural theorists. Kafka was born into a middle-class German-speaking Czech Jewish family in Prague, the capital of the Kingdom of Bohemia, which belonged to the Austro-Hungarian Empire (later the capital of Czechoslovakia and the Czech Republic). He trained as a lawyer, and after completing his legal education was employed full-time in various legal and insurance jobs. His professional obligations led to internal conflict as he felt that his true vocation was writing.…Citește mai mult

Hermann Kafka a adăugat o fotografie

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R.I.P
Hermann

Early life Kafka was born near the Old Town Square in Prague, then part of the Austro-Hungarian Empire. His family were German-speaking middle-class Ashkenazi Jews. His father, Hermann Kafka, was the fourth child of Jakob Kafka, a shochet or kosher butcher in Osek, a Czech village with a large Jewish population located near Strakonice in southern Bohemia. Hermann "came to Prague in the 1870s and opened a store selling haberdashery and ladies' accessories". He employed up to 15 people and used the image of a jackdaw (kavka in Czech, pronounced and colloquially written as kafka) as his business logo. Kafka's mother, Julie, was the daughter of Jakob Löwy, a "cloth-maker in Humpolec in eastern Bohemia". Kafka's parents, from traditional Jewish society, spoke German replete with influences from their native Yiddish; their children, raised in an acculturated environment, spoke Standard German. The cleanliness and "almost platonic purity" of Kafka's German may derive from the fact that he grew up speaking the language in a country whose primary language was not German. His prose is not marked by slang or fads of contemporary usage that was typical of his generational peers from the heart of the empire in Vienna or, for that…Citește mai mult

Hermann Kafka a adăugat o fotografie

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R.I.P
Hermann

Education From 1889 to 1893, Kafka attended the German boys' elementary school at the Masný trh/Fleischmarkt (meat market), now known as Masná Street. His Jewish education ended with his bar mitzvah celebration at the age of 13. Kafka never enjoyed attending the synagogue and went with his father only on four high holidays each year. After leaving elementary school in 1893, Kafka was admitted to the rigorous classics-oriented state gymnasium, Altstädter Deutsches Gymnasium, an academic secondary school at Old Town Square, located within Kinský Palace. German was the language of instruction, but Kafka also spoke and wrote in Czech. He studied the latter at the gymnasium for eight years, achieving good grades. Kafka received compliments for his Czech, but never considered himself fluent in the language. He spoke German with a Czech accent. He completed his Matura exams in 1901. Kafka was admitted to the Deutsche Karl-Ferdinands-Universität of Prague in 1901. He was originally admitted for philosophy, and he had additionally signed up for chemistry. Kafka began studying chemistry but switched to law after two weeks. Although this field did not excite him, it offered a range of career possibilities, which pleased his father. In addition, law required a longer…Citește mai mult

Hermann Kafka a adăugat o fotografie

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R.I.P
Hermann

Employment On 1 November 1907, Kafka was employed at the Assicurazioni Generali, an insurance company, where he worked for nearly a year. His correspondence during that period indicates that he was unhappy with a work schedule—from 08:00 until 18:00—that made it extremely difficult to concentrate on writing, which was assuming increasing importance to him. On 15 July 1908, he resigned. Two weeks later, he found employment more amenable to writing when he joined the Worker's Accident Insurance Institute for the Kingdom of Bohemia (Úrazová pojišťovna dělnická pro Čechy v Praze). The job involved investigating and assessing compensation for personal injury to industrial workers; accidents such as lost fingers or limbs were commonplace, owing to poor work safety policies at the time. It was especially true of factories fitted with machine lathes, drills, planing machines and rotary saws, which were rarely fitted with safety guards. His father often referred to his son's job as an insurance officer as a Brotberuf, literally "bread job", a job done only to pay the bills; Kafka often claimed to despise it. Kafka was rapidly promoted and his duties included processing and investigating compensation claims, writing reports, and handling appeals from businessmen who thought their firms…Citește mai mult

Hermann Kafka a adăugat o fotografie

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R.I.P
Hermann

Personal life Kafka never married. According to Brod, Kafka was "tortured" by sexual desire and filled with a fear of "sexual failure". Kafka visited brothels for most of his adult life, and his collection of erotica and pornographic photographs demonstrates a connoisseur's range of interest in the genre. In addition, he had close relationships with several women during his lifetime. On 13 August 1912, Kafka met Felice Bauer, a relative of Brod's, who worked in Berlin as a representative of a dictaphone company. A week after the meeting at Brod's home, Kafka wrote in his diary: Miss FB. When I arrived at Brod's on 13 August, she was sitting at the table. I was not at all curious about who she was, but rather took her for granted at once. Bony, empty face that wore its emptiness openly. Bare throat. A blouse thrown on. Looked very domestic in her dress although, as it turned out, she by no means was. (I alienate myself from her a little by inspecting her so closely…) Almost broken nose. Blonde, somewhat straight, unattractive hair, strong chin. As I was taking my seat I looked at her closely for the first time, by the time…Citește mai mult

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Siblings Kafka's parents had six children; Franz was the eldest. His two brothers, Georg and Heinrich, died in infancy; his three sisters, Gabriele ("Elli") (22 September 1889 – fall of 1942), Valerie ("Valli") (1890–1942) and Ottilie ("Ottla") (1892–1943), are believed to have been murdered in the Holocaust of the Second World War. Ottilie was Kafka's favourite sister. Gabriele was Kafka's eldest sister. She was known as Elli or Ellie; her married name is variously rendered as Hermann or Hermannová. She attended a German girls' school in Prague's Řeznická Street and later a private girls' secondary school. She married Karl Hermann (1883–1939), a salesman, in 1910. The couple had a son, Felix (1911–1940), and two daughters, Gertrude (Gerti) Kaufmann (1912–1972), and Hanna Seidner (1920–1941). After her marriage to Hermann, she became closer to her brother, whose letters showed an active interest in the upbringing and education of her children. He accompanied her on a 1915 trip to Hungary to visit Hermann, who was stationed there, and spent a summer with her and her children in Müritz the year before he died. With the outbreak of the Great Depression in 1929, the Hermann family business experienced financial difficulties and eventually went bankrupt.…Citește mai mult

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Personality Kafka had a lifelong suspicion that people found him mentally and physically repulsive. However, those who met him found him to possess a quiet and cool demeanor, obvious intelligence and a dry sense of humour; they also found him boyishly handsome, although of austere appearance. Kafka was thought to be "very self-analytic". Brod compared Kafka to Heinrich von Kleist, noting that both writers had the ability to describe a situation realistically with precise details. Brod thought Kafka was one of the most entertaining people he had met; Kafka enjoyed sharing his humour with his friends but also helped them in difficult situations with good advice. According to Brod, he was a passionate reciter, able to phrase his speech as though it were music. Brod felt that two of Kafka's most distinguishing traits were "absolute truthfulness" (absolute Wahrhaftigkeit) and "precise conscientiousness" (präzise Gewissenhaftigkeit). He explored inconspicuous details in depth and with such precision and love that unforeseen things surfaced that seemed strange but absolutely true (nichts als wahr). Kafka's letters and unexpurgated diaries reveal homoerotic themes, including a scenario with novelist Franz Werfel and references to the work of Hans Blüher on male bonding. Saul Friedländer argues that this mental…Citește mai mult

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and in Zürau Aphorism number 50: The Italian medical researchers Alessia Coralli and Antonio Perciaccante have posited in a 2016 article that Kafka may have had borderline personality disorder with co-occurring psychophysiological insomnia. Joan Lachkar interpreted Die Verwandlung as "a vivid depiction of the borderline personality" and described the story as "model for Kafka's own abandonment fears, anxiety, depression, and parasitic dependency needs. Kafka illuminated the borderline's general confusion of normal and healthy desires, wishes, and needs with something ugly and disdainful". Though Kafka never married, he held marriage and children in high esteem. He had several girlfriends and lovers during his life. He may have suffered from an eating disorder. Doctor Manfred M. Fichter of the Psychiatric Clinic, University of Munich, presented "evidence for the hypothesis that the writer Franz Kafka had suffered from an atypical anorexia nervosa", and that Kafka was not just lonely and depressed but also "occasionally suicidal". In his 1995 book Franz Kafka, the Jewish Patient, Sander Gilman investigated contemporaneous views about "why a Jew might have been considered 'hypochondriacal' or 'homosexual' and how Kafka incorporates aspects of these ways of understanding the Jewish male into his own self-image and writing". Kafka considered suicide at…Citește mai mult

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Political views Before World War I, Kafka attended several meetings of the Klub mladých, a Czech anarchist, anti-militarist, and anti-clerical organization. Hugo Bergmann, who attended the same elementary and high schools as Kafka, fell out with Kafka during their last academic year (1900–1901) because "[Kafka's] socialism and my Zionism were much too strident". Bergmann said: "Franz became a socialist, I became a Zionist in 1898. The synthesis of Zionism and socialism did not yet exist." Bergmann claims that Kafka wore a red carnation to school to show his support for socialism. In one diary entry, Kafka made reference to the influential anarchist philosopher Peter Kropotkin: "Don't forget Kropotkin!" During the Communist era, the legacy of Kafka's work for Eastern Bloc socialism was hotly debated. Opinions ranged from the notion that he satirised the bureaucratic bungling of a crumbling Austro-Hungarian Empire to the belief that he embodied the rise of socialism. A further key point was Marx's theory of alienation. While the orthodox position was that Kafka's depictions of alienation were no longer relevant for a society that had supposedly eliminated alienation, a 1963 conference held in Liblice, Czechoslovakia, on the eightieth anniversary of his birth, reassessed the importance of Kafka's…Citește mai mult

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Judaism and Zionism Kafka grew up in Prague as a German-speaking Jew. He was deeply fascinated by the Jews of Eastern Europe, who he thought possessed an intensity of spiritual life that was absent from Jews in the West. His diary contains many references to Yiddish writers. Yet he was at times alienated from Judaism and Jewish life. On 8 January 1914, he wrote in his diary: As a teenager, Kafka declared himself an atheist. Issues such as Judaism, the Talmud, the Zohar, and the Kabbalah remain a theme in his diaries. He notes in his diary, shortly before embarking on his composition of The Castle, that in the demonic onslaught of visions assaulting him he perceives "the intimations of a secret doctrine, a new Kabbalah" whose development has been barred by Zionism. In the final issue of Die Sammlung, a journal for exiles from the Third Reich in Western Europe, Klaus Mann writes, "[T]he collected works of Kafka, offered by the Schocken Verlag in Berlin, are the noblest and most significant publications that have come out of Germany. [Kafka contributes] the epoch's purest and most singular works of literature… [T]his spiritual event has occurred within a splendid isolation, in…Citește mai mult

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Death Kafka's laryngeal tuberculosis worsened and in March 1924 he returned from Berlin to Prague, where members of his family, principally his sister Ottla, as well as Dora Diamant, took care of him. He went to Hugo Hoffmann's sanatorium in Kierling just outside Vienna for treatment on 10 April, and died there on 3 June 1924. The cause of death seemed to be starvation: the condition of Kafka's throat made eating too painful for him, and since parenteral nutrition had not yet been developed, there was no way to feed him. Kafka was editing "A Hunger Artist" on his deathbed, a story whose composition he had begun before his throat closed to the point that he could not take any nourishment. His body was brought back to Prague where he was buried on 11 June 1924, in the New Jewish Cemetery in Prague-Žižkov. His obituary appeared in the Prager Presse and the Berliner Tageblatt. Kafka was virtually unknown during his own lifetime, but he did not consider fame important. He rose to fame rapidly after his death, particularly after World War II. The Kafka tombstone was designed by architect Leopold Ehrmann.

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Works All of Kafka's published works were written in German. What little was published during his lifetime attracted scant public attention. Kafka finished none of his full-length novels and burned around 90 percent of his work, much of it during the period he lived in Berlin with Diamant, who helped him burn the drafts. In his early years as a writer he was influenced by von Kleist, whose work he described in a letter to Bauer as frightening and whom he considered closer than his own family. The first mention of Kafka's work was in an article by Max Brod on 9 February 1907 in the Berlin weekly Die Gegenwart, two years prior to his first publication. Brod would write about his friend again in 1921 in an essay entitled "Der Dichter Frank Kafka".

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Stories Kafka's earliest published works were eight stories that appeared in 1908 in the first issue of the literary journal Hyperion under the title Betrachtung (Contemplation). He wrote the story "Beschreibung eines Kampfes" ("Description of a Struggle") in 1904; in 1905 he showed it to Brod, who advised him to continue writing and convinced him to submit it to Hyperion. Kafka published a fragment in 1908 and two sections in the spring of 1909, all in Munich. In a creative outburst on the night of 22 September 1912, Kafka wrote the story "Das Urteil" ("The Judgment", literally "The Verdict") and dedicated it to Felice Bauer. Brod noted the similarity in names of the main character and his fictional fiancée, Georg Bendemann and Frieda Brandenfeld, to Franz Kafka and Felice Bauer. The story is often considered Kafka's breakthrough work. It deals with the troubled relationship of a son and his dominant father, facing a new situation after the son's engagement. Kafka later described writing it as "a complete opening of body and soul", a story that "evolved as a true birth, covered with filth and slime". The story was first published in Leipzig in 1912 and dedicated "to Miss Felice Bauer",…Citește mai mult

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Novels Kafka began his first novel in 1912; its first chapter is the story "Der Heizer" ("The Stoker"). He called the work, which remained unfinished, Der Verschollene (The Man Who Disappeared or The Missing Person), but when Brod published it after Kafka's death he named it Amerika. The inspiration for the novel was the time Kafka spent in the audience of Yiddish theatre the previous year, bringing him to a new awareness of his heritage, which led to the thought that an innate appreciation for one's heritage lives deep within each person. More explicitly humorous and slightly more realistic than most of Kafka's works, the novel shares the motif of an oppressive and intangible system putting the protagonist repeatedly in bizarre situations. It uses many details of experiences from his relatives who had emigrated to America and is the only work for which Kafka considered an optimistic ending. In 1914 Kafka began the novel Der Process (The Trial), the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor to the reader. He did not complete the novel, although he finished the final chapter. According to Nobel…Citește mai mult

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Drawings Kafka drew and sketched extensively. His interest in art grew from 1901 to 1906. He "practiced drawing, took drawing classes, attended art history lectures, and sought to establish a connection to Prague's artistic circles". According to Max Brod, Kafka "was even more indifferent, or perhaps better, more hostile to his drawings than he was to his literary production". As he did with his writings, Kafka asked in his testament for his drawings to be destroyed. Brod preserved all of Kafka's drawings that Kafka gave him or that he could rescue from the wastebasket or otherwise, but "[a]nything that I didn't rescue was destroyed". Until May 2021, only about 40 of his drawings were known. In 2022, Yale University Press published Franz Kafka: The Drawings. The book brought to light about 150 sketches by Kafka.

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Publishing history Kafka's stories were initially published in literary periodicals. His first eight were printed in 1908 in the first issue of the bi-monthly Hyperion. Franz Blei published two dialogues in 1909 which became part of "Beschreibung eines Kampfes" ("Description of a Struggle"). A fragment of the story "Die Aeroplane in Brescia" ("The Aeroplanes at Brescia"), written on a trip to Italy with Brod, appeared in the daily Bohemia on 28 September 1909. On 27 March 1910, several stories that later became part of the book Betrachtung (Contemplation or Meditation) were published in the Easter edition of Bohemia. In Leipzig during 1913, Brod and publisher Kurt Wolff included "Das Urteil. Eine Geschichte von Franz Kafka." ("The Judgment. A Story by Franz Kafka.") in their literary yearbook for the art poetry Arkadia. In the same year, Wolff published "Der Heizer" ("The Stoker") in the Jüngste Tag series, where it enjoyed three printings. The story "Vor dem Gesetz" ("Before the Law") was published in the 1915 New Year's edition of the independent Jewish weekly Selbstwehr; it was reprinted in 1919 as part of the story collection Ein Landarzt (A Country Doctor) and became part of the novel Der Process. Other stories were…Citește mai mult