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In memoriam

Juraj "Jure" Kaštelan (Croatian pronunciation: [jǔːre kaʃtělan]; 18 December 1919 – 24 February 1990) was a Croatian poet and writer.

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R.I.P
Jure

Juraj "Jure" Kaštelan (Croatian pronunciation: [jǔːre kaʃtělan]; 18 December 1919 – 24 February 1990) was a Croatian poet and writer.

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Jure Kaštelan a lăsat un gând

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Education and career Juraj "Jure" Kaštelan was born on 18 December 1919 in Zakučac in Dalmatia. He attended primary school in Split and then matriculated to the Zagreb Faculty of Arts, but the war interrupted his studies. In 1942 he joined the National Liberation Struggle and worked with the Partisan press. After the war, he completed his degree in Slavic languages and worked as a reporter for the newspaper Vjesnik, as an editor for a publishing company called "Nopok," and then as the assistant Chair of the department of Yugoslav literature at the Faculty of Arts in Zagreb. From 1956–1958 he taught Serbo-Croatian language at the Sorbonne. In 1957 he defended his dissertation on the poetry of Antun Gustav Matoš. Afterwards he lectured on theory of literature at the Zagreb Faculty of Arts. In 1965 he was awarded the Vladimir Nazor Award for Literature, and in 1979 he became a member of the Yugoslav Academy of Sciences and Arts. He died in 1990.

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Jure Kaštelan a lăsat un gând

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Writing Kaštelan is one of the most important Croatian poets of the twentieth century. His first poems were published in 1936 and 1937 (hrvatska suvremena knjizevnost 61-3); His first book, Crveni konj (The Red Horse) was published in 1940 in Zagreb, but it was quickly banned and destroyed by the police. This collection espoused revolutionary sentiments that were pervasive among young Croatian poets before the war. Kaštelan believed that poets were not exempt from participating in the struggle towards a better life; when the war began, he joined the Partisan Movement (Columbia). Unsurprisingly, much of Kaštelan’s early work addressed topics related to the war. Before the war began, he felt torn between his childhood memories and beauty that he wanted to remember, but he began to be pulled away by ideas of revolution and war and their uncertainty and unpredictability. During the war he wrote about the revolution and partisan struggles, “blending the personal with the general." “His cycle Tifusari (Typhus Victims), together with Goran Kovačić’s Jama (The Pit) and Popovič’s Oci (Eyes), is no doubt artistically the most dramatic saga of suffering, death, yearning after life in Yugoslav Partisan Poetry." In particular, “out of the senseless cruelty of foreign…

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Jure Kaštelan a lăsat un gând

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1940 Crvenji konj (The Red Horse) 1950 Pjetao na krovu (The Cock on the Roof) 1955 Biti ili ne (To Be or Not to Be)

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Jure Kaštelan a lăsat un gând

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1956 Zvjezdana noć (Starry Night) 1957 Malo kamena i puno snova (A Bit of Stone and a Lot of Dreams)

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Nonfiction 1957 Lirika Antuna Gustava Matoša (The Lyrics of Antun Gustav Matoš)

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Plays 1958 Pijesak i pjena (Sand and Foam)

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Short stories 1961 Čudo i smrt (Wonder and Death)

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