Wanda Wasilewska (Polish pronunciation: [ˈvanda vaɕiˈlɛfska]), also known by her Russian name Vanda Lvovna Vasilevskaya (Russian: Ва́нда Льво́вна Василе́вская) (21 January 1905 – 29 July 1964), was a Polish and Soviet novelist and journalist and a left-wing political activist. She was a socialist who became a devoted communist. She fled the German attack on Warsaw in September 1939 and took up residence in Soviet-occupied Lviv and eventually in the Soviet Union. She was a founding member of the Union of Polish Patriots and played an important role in the creation of the 1st Tadeusz Kościuszko
Wanda Wasilewska (Polish pronunciation: [ˈvanda vaɕiˈlɛfska]), also known by her Russian name Vanda Lvovna Vasilevskaya (Russian: Ва́нда Льво́вна Василе́вская) (21 January 1905 – 29 July 1964), was a Polish and Soviet novelist and journalist and a left-wing political activist.
She was a socialist who became a devoted communist. She fled the German attack on Warsaw in September 1939 and took up residence in Soviet-occupied Lviv and eventually in the Soviet Union.
She was a founding member of the Union of Polish Patriots and played an important role in the creation of the 1st Tadeusz Kościuszko Infantry Division. The division developed into the Polish People's Army and fought on the Eastern Front during World War II.
Wasilewska was a trusted consultant to Joseph Stalin, and her influence was essential to the establishment of the Polish Committee of National Liberation in July 1944 and to the formation of the Polish People's Republic.
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R.I.P Wanda
Before World War II Wasilewska was born, the second of three daughters, on 25 January 1905 in Kraków, Austrian Poland. Her father was Leon Wasilewski, a Polish Socialist Party (PPS) politician and first foreign minister of the newly re-emerging independent Poland. Her mother, Wanda Zieleniewska, was also a PPS member and the young Wasilewska had gotten to know the party leaders at home. From 1923, she studied Polish language and Polish literature at the Jagiellonian University in Kraków, where several years later she acquired her doctorate. While studying, she became involved with the Union of Independent Socialist Youth (ZNMS, allied with the PPS) and the Society of Workers' Universities. From the early 1930s, Wasilewska was strongly involved in women's issues and gender equality. Her attitude was exemplified by her own personal conduct as well as her work in the Women's Section of the PPS. However, she eventually chose to emphasize in her activism the broader class issues, remarked that it was easier to deal with men and criticized Warsaw feminists for coloring their movement with "feminism of half a century ago". Wasilewska joined the PPS as a student. She was a member of the main party council in 1934–37. She…
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During World War II After the Invasion of Poland by Nazi Germany in September 1939, Wasilewska, like hundreds of thousands of other Poles, fled to the east and following Stalin's directions ended up in Lviv (after the Soviet invasion of Poland a part of the Soviet-occupied zone). Like other Polish citizens, she soon automatically became a Soviet citizen, but unlike many she was enthusiastic about the historic turn of events and Poland's prospects under the Soviet tutelage that she expected; she thought it would promote both the national and social liberation of Poles. Wasilewska officially joined as a member the (All-Union Communist Party (Bolsheviks) already in September 1939. According to Khrushchev, the Soviets worked with Wasilewska on organizing the Polish intelligentsia members present in their zone and turning them into Soviet allies. Several dozen Polish literary figures indeed joined the Federation of Soviet Writers of Ukraine in the fall of 1940. Wasilewska prevented a complete Ukrainization of the University of Lviv: because of her intervention part of the Polish prewar faculty remained there and teaching in Polish was retained in some departments. Also in 1940, Wanda Wasilewska participated in the production of "Wind from the East" – a propaganda film…
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Stalin valued Wasilewska's opinion highly, even though (or in part because) she had no prewar background in the Communist Party of Poland. As she later wrote, during the war all the matters were settled through her to the detriment of input from other Polish communists, even though she had not sought a leadership role but rather took advantage of the opportunities as they arose.
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After World War II After the war, Wasilewska decided to stay in the Soviet Union and retired from public life, thus rejecting the opportunity for becoming an active member of the political elites in communist Poland. She was involved in a long-term relationship with Ukrainian playwright and Soviet state official Oleksandr Korniychuk, with whom she moved to Kiev. Wasilewska had limited Russian and Ukrainian language abilities, but was a member of the Supreme Soviet for six terms. She often visited Poland, where a room was kept for her use at the villa of Broniewska in Warsaw. She was highly influential in the affairs of Poland and consulted by the country's top leaders, including Bierut and Berman. Especially before Gomułka's ascent to power in 1956, Wasilewska's visits followed invitations from the authorities; afterwards they were less frequent and of a more private character. According to communist historian Andrzej Werblan, Wasilewska and Gomułka were politically incompatible. She made frequent foreign trips as an activist in the peace movement, including one to Stockholm in 1956. Wasilewska wrote to her friend Nikita Khrushchev to complain of the 1955 publication of Poemat dla dorosłych ('A Poem for Adults') by Adam Ważyk, which she saw as…
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Role, assessments, influence and works Wasilewska has "her place in Polish collective memory as a symbol of the establishment of the communist order after World War II". Brought up in a patriotic, intellectual, left-wing but anti-Russian Polish establishment environment, Wanda Wasilewska gradually developed a communist identity and revolutionary outlook, to become a theorist, ideologue and promoter of communism in Poland. She was "strongly embedded in the historical and geopolitical context of her era" and blurred in her daily activities and works she produced the distinction between the public or political, and private aspects of her life. The transgressions she engaged in as a radical leftist were of many dimensions and involved transcending the borders of her gender, nationality, and social class (it amounted to "rejecting superstition", as she put it). Wasilewska writings were heavily socially and ideologically engaged. She accused Sanation Poland of gross discrimination of its citizens based on their rank (the elites vs. the masses) and ethnicity. She pointed to a combination of economic and nationalistic oppression of the working classes and the minorities by the industry and land owners and by people of the dominant Polish language and culture. With the end of the war, Wasilewska removed…
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Płomień na bagnach (1940)
Pieśń nad Wodami (a trilogy: 1940, 1950, 1952)
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Helena Zatorska, Wanda Wasilewska, Warszawa 1977
Adam Ciołkosz, Wanda Wasilewska: dwa szkice biograficzne, Polonia Book Fund: Londyn 1977
Eleonora Salwa-Syzdek, Działalność Wandy Wasilewskiej w latach drugiej wojny światowej, Warszawa 1981
Ed. Eleonora Salwa-Syzdek, Wanda Wasilewska we wspomnieniach, Warszawa 1982
Eleonora Syzdek, W jednym życiu - tak wiele, Warszawa 1965
Zmarła Wanda Wasilewska. Nowiny, p. 1–2, No. 179, 30 July 1964