Eduard Haken (22 March 1910 – 12 January 1996 in Prague) was a Czech operatic bass who had a lengthy career at the National Theatre in Prague during the 20th century. Although he mostly performed within his own nation, Haken did appear at a number of important international music festivals and opera houses in Europe while traveling with the National Theatre. He was also active as a concert soloist and recitalist. Haken possessed a dark and glossy voice that was agile and powerful enough to assail a wide array of parts from the dexterous bel canto repertoire to heavier dramatic roles. A fine ac
Eduard Haken (22 March 1910 – 12 January 1996 in Prague) was a Czech operatic bass who had a lengthy career at the National Theatre in Prague during the 20th century. Although he mostly performed within his own nation, Haken did appear at a number of important international music festivals and opera houses in Europe while traveling with the National Theatre. He was also active as a concert soloist and recitalist.
Haken possessed a dark and glossy voice that was agile and powerful enough to assail a wide array of parts from the dexterous bel canto repertoire to heavier dramatic roles. A fine actor with a good sense of comic timing, he also excelled in the basso buffo repertoire. His voice is preserved on numerous opera recordings made with the Supraphon record label.
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R.I.P Eduard
Biography Born in Šklin, Ukraine to parents of Czech descent, Haken initially pursued a career as a doctor and in fact passed his medical examinations in 1932. While a student he took singing lessons with D. Levytsky in Prague. Eventually his love of music won over and he decided to abandon his medical career for a singing career. Haken made his professional opera debut in a small role at the National Theatre in Prague in 1936, singing minor parts there for the next two years. In 1938 he became a principal singer at the Oldřich Stibor Theatre in Olomouc where he remained for three years. He returned to the National Theatre in 1941 where he remained for over the next five decades. After his return to the National Theatre in 1941, Haken quickly became one of the most popular artists in the city. In his early years he developed a strong artistic partnership with conductor Vaclav Talich who greatly admired the young the bass. He was a much loved Kecal in The Bartered Bride. Among his chief roles at the theatre were Basilio in The Barber of Seville, Beneš in Dalibor, Daland in The Flying Dutchman, Mephistopheles in Faust, Mumlal…
