Evelina "Eva" Palmer-Sikelianos (Greek: Εύα Πάλμερ-Σικελιανού; January 9, 1874 – June 4, 1952) was an American woman notable for her study and promotion of Classical Greek culture, weaving, theater, choral dance and music. Palmer's life and artistic endeavors intersected with numerous noteworthy artists throughout her life. She was both inspired by or inspired the likes of dancers Isadora Duncan and Ted Shawn, the French literary great Colette, the poet and author Natalie Barney and the actress Sarah Bernhardt. She would go on to marry Angelos Sikelianos, a Greek poet and playwright. Together they organized a revival of the Delphic Festival in Delphi, Greece. Embodied in these festivals of art, music and theater she hoped to promote a balanced sense of enlightenment that would further the goals of peace and harmony in Greece and beyond. Palmer was born on January 9, 1874 at Gramercy Park in New York City. She was one of five children in a family of eclectic intellectuals and gifted artists. The family she was born into was one that promoted liberal thought, unconventional education and exploration of music, theater and literature. Her earliest memories were of her father's Nineteenth Century Club, whose early meetings were held at the Palmer home. The Nineteenth Century Club brought together people of disparate political ideologies, atheists and religious luminaries. Her father facilitated thoughtful and amiable discussions of politics, religion and morality. These discussions were witnessed by a young Palmer and she would write later they would lay the seeds of her own thoughts as a young woman and adult. Courtlandt Palmer Sr. died in the summer of 1888 of appendicitis. Palmer's mother would later remarry, to a man named Robert Abbe. It was during the family's summer vacations at Bar Harbor in Maine she became acquainted with Natalie Barney. The two shared an interest in poetry, literature and horseback riding. Barney likened Palmer to a medieval virgin, an homage to her ankle-length red hair and fair countenance. The two would become young lovers and later be neighbors in Paris. Palmer's siblings were also formative in her life, in particular her brother Courtlandt Palmer Jr. Her brother was a musical prodigy and could at a young age play at the piano most all of the works of renown composers. As music was integral to their mother's life, all of the Palmer siblings were either exposed to or encouraged to pursue musical endeavors. She herself would go on to study independently, music theory and Greek choral arrangements. Palmer was enrolled in various boarding schools and day schools sporadically and for brief periods of time. Her father established a short-lived experimental school called the Van Taube School. She herself was not enrolled but recalls its open format that encouraged creative minds to explore without a rigid curriculum. After coming of age Palmer would attend Bryn Mawr College. While at Bryn Mawr she studied literature and the theater arts. She left the school before completing a degree, choosing rather to join her brother Palmer Jr. in Rome for a year and to study independently. Palmer settled in Neuilly, an expatriate neighborhood near Paris. Palmer occupied herself fine-tuning her fluency of the French language, attending theater as well as participating in impromptu theatrical performances at fetes in Natalie Barney's backyard garden. At one of these fetes Palmer performed with Colette, Pierre Louÿs' Dialogue au Soleil Couchant. During this time she also met Sarah Bernhardt and the two became acquainted. Palmer was asked to perform with Sarah on-stage, an arrangement that ultimately fell through. During a brief foray in London, Palmer was offered to join the theater company of Mrs. Patrick Campbell. Mrs. Campbell's precondition to Palmer joining the company however demanded that she publicly disassociate herself with Natalie Barney. While the offer pleased Palmer and could have proven fruitful to her artistic endeavors, she ultimately turned down the offer. She was unwilling to forgo her friendship with Barney despite the opportunity. It was also during Palmer's time in Paris she became acquainted with Raymond Duncan, the brother of Isadora Duncan, and his wife Penelope, the sister of Angelos Sikelianos. Due to labor unrest in Paris in 1905, the married couple and their baby came to stay with Palmer at her small house in Neuilly. Palmer and the couple shared an interest in homespun garb and Greek art. With the hopes of reproducing the quality of authentic Greek robes, the trio fashioned a loom to create several garments for themselves. These efforts would ultimately lead Palmer to abandoning traditional dress of the times in favor of dresses and handcrafted leather sandals she would come fashion herself and wear exclusively. Penelope's singing and reciting of Sikelianos' poetry further intrigued Palmer. She wished to learn more and to meet Sikelianos herself. The Duncans and Palmer would later leave Paris for Greece. Palmer returned to Greece in the spring of 1952. Two weeks after her arrival she suffered a fatal stroke while attending a theatrical performance in Delphi. She was 77 years old. Pursuant to her wishes she was buried at Delphi. Palmer's artistic endeavors and support of the Delphic Idea came in a period of time between world wars. In her latter years she would witness from afar the rise of Nazism, Hitler and WWII. It would seem as though their efforts had been all for naught. They were not the first to attempt a revival of the spirit of Delphi in Greece and they would not be the last. The Delphic Idea lives on in modern times through the International Delphic Council. Much of the same ideals and principals are embodied in these modern efforts of music, dance and athletics.
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