Jurica Ribar

Jurica Ribar a adăugat o fotografie

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R.I.P
Jurica

Biography He was the younger son of the politician Ivan Ribar and brother of Communist Yugoslavia's hero Ivo Lola Ribar. Jurica grew up and was educated in Belgrade, where he finished elementary school and the Second Men's High School, and in March 1941 he graduated from the Faculty of Law. During his studies, he actively participated in a student political movement as a member of the illegal League of Communist Youth of Yugoslavia. He was actively involved in art, and mostly in painting. He attended the painting school with Jovan Bijelić, and in 1938 he became a member of the painting group "Ten", which consisted of many later famous painters, such as Ljubica Cuca Sokić, Aleksa Čelebonović, Nikola Graovac and others. After the occupation, in 1941, he became a member of the League of Communists of Yugoslavia. Initially he was active in occupied Belgrade, and in the autumn he joined the Yugoslav Partisans. He took part in combat in major battles on Neretva and Sutjeska rivers. He was mortally wounded in early October 1943 while defending liberated Kolašin against Chetnik forces. He died later in a partisan hospital in the nearby village Trebaljevo and was interred there, but his remains…Citește mai mult

Jurica Ribar a publicat o actualizare

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Opus and group "Ten" Jurica Ribar's painting activity lasted only seven years - from his first exhibition, after graduating from the painting school of Jovan Bijelić, in January 1934, to the beginning of World War II in Yugoslavia and his joining the Yugoslav Partisans in September 1941. He mainly worked on landscapes, figures, still lifes, portraits, flowers, terraces and parks. After a joint exhibition with Danica Antić, Nikola Graovac and Aleksa Čelebonović, Jurica continued to paint even more active and was especially interested in colour, and then his works Bokal with white flowers and blue background and Still Life with fish were created. His painting work was significantly influenced by visits to France, where he stayed during 1936, 1937 and 1938 with the painter Marko Čelebonović, the brother of his school friend Aleksa Čelebonović. His several-month stays in Saint Tropez and Paris significantly influenced the development of his painting talent, so he abandoned expressionism and began the search for a rich artistic expression in direct relation to nature. At that time, several works with motifs of landscapes from the south of France in completely green colour were created, among which are Landscapes from France and Hospitals in Saint Tropez. His…Citește mai mult