Edward Stachura [ˈɛdvard sta'xura] (18 August 1937 – 24 July 1979) was a Polish poet, writer and translator. He rose to prominence in the 1960s, receiving prizes for both poetry and prose. His literary output includes four volumes of poetry, three collections of short stories, two novels, a book of essays, and the final work, Fabula rasa, which is difficult to classify. In addition to writing, Stachura translated literature from Spanish and French, most notably works of Jorge Luis Borges, Gaston Miron and Michel Deguy. He also wrote songs, and occasionally performed them. He died by suicide at
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R.I.P Edward
Edward Stachura [ˈɛdvard sta'xura] (18 August 1937 – 24 July 1979) was a Polish poet, writer and translator. He rose to prominence in the 1960s, receiving prizes for both poetry and prose. His literary output includes four volumes of poetry, three collections of short stories, two novels, a book of essays, and the final work, Fabula rasa, which is difficult to classify. In addition to writing, Stachura translated literature from Spanish and French, most notably works of Jorge Luis Borges, Gaston Miron and Michel Deguy. He also wrote songs, and occasionally performed them. He died by suicide at the age of forty-one.
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The final years In 1973 Stachura travelled to Norway, then to Geneva to receive The Kościelski Prize, and from there to France, to visit his birthplace in Charvieu. Next year he spent a few months in the United States, Canada, and Mexico. In 1975 Stachura published Wszystko jest poezja (Everything is Poetry)—a collection of essays blending impressionistic commentary about everyday events in the author's life with philosophical reflections on the nature of the creative process and the relationship between life and literature. The book was followed by the publication of a long poem, "Kropka nad ypsylonem" ("A Dot over Ypsilon") in the literary monthly Twórczość. In the next few years Stachura showed a gradual deepening of distancing himself from events and people, and of his perception of aversion and hostility in the actions of friends and relatives. This transformation ultimately led to what is described by some as the mystical period in his life and writing, and by others as evidence of progressive mental illness. In 1977 he published Się—a collection of short stories employing a peculiar narrative technique (the title is a reflexive pronoun central to that technique), and suggesting, in the last selection, the elimination of corporeality. The…
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Collected works Poezja i proza (Poetry and Prose) (1982) Vol. 1 Wiersze, poematy, piosenki, przeklady (Poetry, Songs, Translations) Vol. 2 Opowiadania (Short Stories) Vol. 3 Powieści (Novels) Vol. 4 Wszystko jest poezja (Everything is Poetry) Vol. 5 Fabula rasa. Z wypowiedzi rosproszonych (Fabula Rasa. From Scattered Utterances)
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College and first book publications Stachura enrolled at the Catholic University of Lublin in 1957, majoring in French Philology. Struggling with difficult financial conditions, he continued writing and actively seeking opportunities to publish his works. He interrupted his studies at CUL twice, and after travelling around the country in 1959 and 1960 he finally transferred to the University of Warsaw, his move to the capital motivated primarily by a desire to facilitate the publication of his work. He continued writing, publishing poetry in periodicals, and he engaged actively in the life of the literary milieu. The year 1962 marked two important events in Stachura's life: the first book publication—a collection of short stories titled Jeden dzień (One Day); and his marriage to Zyta Anna Bartkowska—the future author of novels and short stories published under the pseudonym of Zyta Oryszyn. The following year Stachura published his first book of poetry, Dużo ognia (Lots of Fire). Despite continuing financial difficulties, he graduated in 1965 with a master's degree in Romance Philology; his thesis discussed the work of Henri Michaux.
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Childhood and adolescence Edward Stachura was born on 18 August 1937 to a family of Polish emigrants in Charvieu-Chavagneux, department of Isère, in eastern France. He was the second of four children of Stanisław and Jadwiga Stachura (née Stępkowska) who met in France after having emigrated in the early 1920s in search of work. Stachura spent the first eleven years of his life in France. The family lived in a large tenement house shared by a multilingual mix of emigrants; Stachura would later describe it in his first novel as "this great Tenement of Babel, where apart from the Poles, who called the tune, there was a mass of Greeks, Albanians, Armenians, Italians, Arabs, and other representatives of nations." Stachura attended a French school and, once a week, the Polish school, a teacher having been provided by the consulate. His brother Ryszard, eight years his senior, says that young Edward was courteous, caring, and likeable, but unusually stubborn: in school he had a habit of correcting his teachers if their ideas were at odds with those he got from other sources. In 1948 the family moved to Poland and settled down in a one-room thatched house in the village of…
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Maturity and critical recognition The years following the graduation saw a flowering of Stachura's work. The second collection of short stories, Falując na wietrze (Waving in the Wind), was published in 1966. The book received the annual Prize of the Polish Publishers' Association. Around that time, Stachura also began a type of journal in which he collected various notes, many of which he would later incorporate into his works. Two books of poetry followed in 1968: Przystępuję do ciebie (I Come Close to You) and Po ogrodzie niech hula szarańcza (Let the Locust Hold Sway in the Garden); the latter received the prestigious Stanisław Piętak Prize. In 1969 Stachura published his first novel, Cała jaskrawość (All the Brightness), work on the novel having begun three years earlier in the form of notes in Stachura's journal. The second novel, Siekierezada albo zima leśnych ludzi (Axing, or the Winter of the Forest Folk), followed in 1971, and it earned the author Stanisław Piętak Prize for the second time. Like the first novel, the book began with notes in the journal starting in 1967, and it was written partly in Mexico where Stachura studied in 1969 and 1970 on a twelve-month scholarship funded…