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In memoriam

Izidor Cankar (22 April 1886 – 22 September 1958) was a Slovenian author, art historian, diplomat, journalist, translator, and liberal conservative politician. He was one of the most important Slovenian art historians of the first part of the 20th century, and one of the most influential cultural figures in interwar Slovenia.

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Izidor

Izidor Cankar (22 April 1886 – 22 September 1958) was a Slovenian author, art historian, diplomat, journalist, translator, and liberal conservative politician. He was one of the most important Slovenian art historians of the first part of the 20th century, and one of the most influential cultural figures in interwar Slovenia.

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Early life Izidor Cankar was born in Šid, in what was then the Austro-Hungarian Kingdom of Croatia-Slavonia (now part of the Serbian province of Vojvodina). His father, Andrej Cankar, was a Slovene tradesman from Inner Carniola, while his mother, Marija Huber, was from a mixed Danube Swabian–Croat family. Izidor was a cousin of the famous writer Ivan Cankar. At the age of seven, his father went bankrupt. Young Izidor was taken into foster care by his aunt Karolina Hofberg. Cankar grew up in a multicultural environment, and spoke Croatian, German, and Hungarian from a young age. He attended Croatian-language schools, and throughout his life he claimed his Croatian was better than his Slovene. In 1897, his cousins Ivan and Karlo Cankar convinced him to move to Ljubljana, where he attended the Classical Lyceum. In 1905, after finishing high school, he decided to become a priest and enrolled in the Roman Catholic seminary in Ljubljana. There, he met the theologian Andrej Kalan, who had a decisive influence on Cankar's future intellectual development. After finishing the study of theology in Ljubljana in 1909, he enrolled in the University of Louvain, where he studied esthetics. During this period, he also spent time in…

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Diplomatic and political career In 1936, Cankar was named Yugoslav ambassador to Argentina. He was in Buenos Aires during the Axis invasion of Yugoslavia in April 1941. In 1942, the Yugoslav government in exile named him ambassador to Canada. In 1944, he resigned in protest against the policies of Prime Minister Božidar Purić, who continued to support the Serbian Chetnik resistance movement of Draža Mihajlović even after claims of his collaboration with the Nazi Germans in the fight against Tito's Partisans. Canadian Prime Minister Mackenzie King offered him a post in the Canadian foreign service, but Cankar declined. After the Treaty of Vis was signed between the newly appointed Yugoslav Prime Minister in exile Ivan Šubašić and the Yugoslav communist resistance leader Josip Broz Tito in June 1944, Cankar was named Minister of Culture and Telecommunications in the new coalition government. However, he resigned in autumn of the same year after failing to convince the leadership of the Slovene People's Party to recognize the Liberation Front of the Slovenian People and join forces with the Yugoslav Partisans. In February 1945, he went to liberated Belgrade and was named ambassador to Greece. In 1947, he returned to Ljubljana, where he worked…

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Lewis S. Babbitt / prevedel Izidor Cankar. Ljubljana : Državna založba Slovenije, 1953. 362 s. Swift J. Guliverjeva potovanja / prevedel Izidor Cankar. Ljubljana : Cankarjeva založba, 1967. 335 s.

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Writing In his early years, Cankar wrote several renowned essays, mostly related to esthetic issues. In 1911, he published the book Obiski (Encounters), a collection of interviews with contemporary Slovene authors and artists (Ivan Cankar, Rihard Jakopič, Fran Saleški Finžgar, Ivan Tavčar, Oton Župančič, Franc Ksaver Meško, and others). In 1913, he wrote his only major literary work, the essayistic novel, S poti (On the Way), written as a travelogue through Italy. In 1926, Cankar published a major treatise in art history, Uvod v umevanje likovne umetnosti (An Introduction to the Understanding of Figurative Art), where he developed a systematic stylistic typology based on the theories of Heinrich Wölfflin. In the same year, he started publishing his magnum opus, Zgodovina likovne umetnosti v zahodni Evropi (History of Figurative Art in Western Europe), in which he applied his own esthetic theory in the overview of western art between late antiquity and the Renaissance. Between 1926 and 1936, he published the first critical edition of collected works of the writer Ivan Cankar, his cousin. In 1948, he also published Ivan Cankar's correspondence. Izidor Cankar was also a translator: among other, he translated works of Jonathan Swift, Patrick Augustine Sheehan, André Maurois and…

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Publications Cankar Iz. S poti. Ljubljana: Nova knjižnica / Nova založba, 1919. 3, 117 s.; Z cesty // Návštěvy. Sv. 5. Eva, 1921. 131 s. (czech); 2nd ed. Ljubljana: Mladinska knjiga, 1996. 252 s. Cankar Iz. Uvod v umevanje likovne umetnosti. Sistematika stila. Izdaja 3.,. V Ljubljani: Karantanija, 1995. 185 s. Cankar Iz. Obisk na Rožniku In: Ivan Cankar, slovenski pisatelj: (1876-1918). Ljubljana: Mestni muzej, 1956. Translations

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Rahten A. Izidor Cankar: A Diplomat of Two Yugoslavias. Mengeš - Ljubljana: Center for European Perspective - Scientific Research Council of the Slovenian Academy of Sciences and Arts, 2009. 420 str., [16] str. pril. Rahten A. Izidor Cankar in Kraljevo jugoslovansko poslaništvo v Buenos Airesu = Izidor Cankar and the Royal Yugoslav Legation in Buenos Aires. Dve domovini : razprave o izseljenstvu = Two Homelands : migration studies. 2009. Št. 29. Str. 69-92. [3] Rahten A. Očrt slovenske diplomacije ali diplomacije slovencev. Teorija in praksa : revija za družbena vprašanja. 2011. Št. 3 (maj-jun.). Str. 646-667, 814. [4] Yugoslavia: El Mundo en Color. Textos de Jean Desternes, Izidor Cankar, Marcel Schneider, Mirko Hrovat y otros. Madrid: Ediciones Castilla, 1961. 448 pgs.

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