In memoriam
Natalia Lach-Lachowicz (18 April 1937 – 12 August 2022) was a Polish artist who worked with paint, photography, drawing, performance, and video art. Sean O'Hagan, writing in The Guardian in 2017, described her as "a neglected early-1970s Polish-born pioneer of feminist avant garde image making".
Natalia LL a adăugat o fotografie
acum 4 ore
Natalia Lach-Lachowicz (18 April 1937 – 12 August 2022) was a Polish artist who worked with paint, photography, drawing, performance, and video art. Sean O'Hagan, writing in The Guardian in 2017, described her as "a neglected early-1970s Polish-born pioneer of feminist avant garde image making".
Natalia LL a adăugat o fotografie
acum 4 ore
== Early life and education == Natalia Lach-Lachowicz was born in Żywiec, Poland. From 1946 to 1956, Lach-Lachowicz lived in Bielsko-Biała where she completed basic and secondary education. From 1957 to 1963 she studied at the State College of Fine Arts (nowadays Eugeniusz Geppert Academy of Fine Arts) in Wrocław under the supervision of Professor S. Dawski, where she completed her MSc. In 1964 she received a Diploma of the Association of Polish Art Photographers (ZPAF).
Natalia LL a adăugat o fotografie
acum 4 ore
== Life and work == Natalia LL was a conceptual artist and photographer, associated with the avant-garde scene of the 1960s in Poland. Through photography and video she deconstructed single-frame photographs and satirizes the images that were presented in advertising, television, and print in the 1970s and 1980s. In 1970 she co-founded PERMAFO, an artists' group and gallery, with Zbigniew Dłubak and Andrzej Lachowicz. In 1971, after marrying Lachowicz, she assumed the name Natalia LL. Since 1975 she was engaged in the international feminist art movement and took part in various symposia and exhibitions. Her series, Consumer Art (1972–1975), depicts close ups of women eating and biting foods like bananas, sausages, and melons. It is often read as a critique, questioning the common representation of women in pornography. She said of it "Feminists saw in my consumer art a perverse struggle with the cult of the phallus and with masculinity. For me it was rather the manifestation of a feeling of life and liveliness." After suffering from a severe illness in the late 1970s, Natalia LL began to delve into transcendental and mythological subjects, often photographing her performances. In 2018, the ZW Foundation was founded to preserve the works of Natalia LL as well as to provide a "place for exchanging scientific ideas and creative thoughts". In April 2019, after an anonymous complaint, the Polish National Museum in Warsaw removed from an exhibition works by Natalia LL, Katarzyna Kozyra, and the duo formed by Karolina Wiktor and Aleksandra Kubiak. This act, which was seen as an act of censorship of feminist art, led to widespread protests; a movement termed "#bananagate." Between 2004 and 2013 she was a senior lecturer at the University of Fine Arts in Poznań. She died on 12 August 2022, aged 85.
Natalia LL a adăugat o fotografie
acum 4 ore
== Publications == Consumer Art and Beyond. CSW Zamek Ujazdowski, 2016. Edited by Agata Jakubowska. ISBN 978-8365240262. With essays by Anna Markowska, Wojciech Szyma_ski, Ewa Toniak, Monika Bakke, Maja Fowkes, Reuben Fowkes, David Crowley, Eva Badura-Triska and Claudia Calirman. The Mysterious World. Verlag fur Moderne Kunst, 2022. ISBN 9783903572133. With essays by Anna Kutaj-Markowska, Marika Kuzmicz, and Zofia Krawiec.
Natalia LL a publicat o actualizare
acum 4 ore
=== Solo exhibitions === Piramida/Pyramid, Galeria Spojrzenia, Wrocław, 1980 Allusive Space, Frauenmuseum, Bonn, 1995 Ogrody personlizmu/Gardens of Personalism, Centrum Sztuki Współczesnej Zamek Ujazdowski, Warsaw, 1998 The Whole of the Parts, Galeria Wangarda BWA, Wrocław, 2005 Natalia LL – Opus Magnum, Ernst Múzeum, Budapest, 2012 Doing Gender, lokal_30, Warsaw, 2013 Natalia LL. Intimate Photography, Galerie Steinek, Vienna, 2018 Natalia LL. The Mysterious World, Francisco Carolinum, 2021
Natalia LL a publicat o actualizare
acum 4 ore
== General references == Altmann, Susanne; Wagner, Hilke; Lozo, Katarina, eds. (2019). Medea muckt auf: Radikale Künstlerinnen hinter dem Eisernen Vorhang [The Medea Insurrection: Radical Women Artists Behind the Iron Curtain]. Cologne: Walther König. ISBN 978-3-96098-527-3. OCLC 1099843511.
Natalia LL a publicat o actualizare
acum 4 ore
== Further reading == Opera Omnia. Wrocław: Ośrodek Kultury i Sztuki we Wrocławiu, 2009. ISBN 978-84-87104-84-8.