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In memoriam

Oskar Sosnowski (6 November 1880 – 24 September 1939) was a leading Polish architect and art conservator and restorer of monuments during the period between World War I and World War II.

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Oskar Sosnowski (6 November 1880 – 24 September 1939) was a leading Polish architect and art conservator and restorer of monuments during the period between World War I and World War II.

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Biography Sosnowski received his education at a Russian polytechnic in Warsaw, in the Engineering and Construction Faculty Department. In the fall of 1918, the recently renovated building of the Faculty of Architecture at the Warsaw University of Technology (Warsaw Polytechnic) was occupied by the Bolshevik army, causing many Polish students enlisted to drive them out. Following this brief interruption, new professors arrived at the faculty, including Sosnowski, who took the post of the chair of Polish Architecture Division. In 1919, he became a professor at the Warsaw Polytechnic. In 1922, he initiated the establishment of the Association of Polish City Planners. In 1929, he founded the Department of Architecture of Poland at Warsaw Polytechnic. Sosnowski's projects were based on traditional historical forms, but he used new materials as reinforced concrete. He also developed proposals for communities that for the first time applied a new urban form of building around a lake or other feature. Sosnowski was one of the greatest Polish architects of the period that developed the Professors' Quarter in Warsaw. A unique complex of 21 houses built in the Powiśle district of Warsaw (within the triangular area delineated by the Górnośląska, Myśliwiecka, and Hoene-Wrońskiego streets). They were built…

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European Influences? Although some basic information on historical Polish architecture is now more easily available, for the Western connoisseur it is still very largely a terra incognita. This seems particularly disappointing when one considers the work of a number of designers at the threshold of 20th century modernism. How many lavish books have there been devoted, during the last 50 years, to masters such as Victor Horta, Charles Voysey or Peter Behrens? But to find a broader appreciation of Sosnowski’s or Jan Koszczyc-Witkiewicz’s work, let alone adequate illustrations, is still virtually impossible for a non-Polish audience. The reasons for this lacunae are manifold. Firstly, for Western architectural historians, particularly German-language ones, such as Nikolaus Pevsner, who began his writings on the history of Modern architecture and design in the early 1930s, a Polish work worth noting could simply not be imagined. Polish art historians and their publishers have been very slow to produce thorough investigations and adequately illustrated books about those masters, and even what has been brought out during the last few years still appears to be destined entirely for internal consumption. A comprehensive and discerning book on Polish 20th-century architecture placed into a general Western context is still…

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Wounded Sosnowski was wounded by German soldiers in the School of Architecture building's courtyard while trying save the archives containing the surveys of Polish historic buildings (the preserved documents provided the information to reconstruct the Warsaw Old Town after the war). The Germans then killed or interred 41 professors, including Sosnowski, and the university soon became an important point of resistance during the 1944 uprising against the Germans.

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Magnum Opus All this then led to Sosnowski’s magnum opus of the late 1920s, the Białystok Church (St. Roch's Church in Białystok). It has sometimes been compared to the work of the pioneer of reinforced concrete, Auguste Perret; but Sosnowski’s spatial imagination and his judicious use of crystalline Art Déco motifs go far beyond anything one may find in the work of the French master. In a similar way one may draw again comparisons with German avant-garde design. One is reminded of the revolutionary drawings of the immediate post war years, by Wassili Luckhardt or Bruno Taut, but one would look in vain for a realisation of these dreams in Germany, in a manner that is both as daring and as controlled as Sosnowski’s church. Naturally, the medium-sized town of Białystok could not afford the vast building of the kind which appeared in the architect’s painted dreams of the same years, but Sosnowski maximised the effect of the church on a hill as a Stadtkrone – which is naturally something that can only be experienced on the spot. The quality of the interior space might be summarised by the way one can see it, almost simultaneously, as a dense forest…

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Bałabanów in Lvov (1908) Warsaw: Church of the Immaculate Conception of the Virgin Mary in the Parish of St. James (St.Jacob / Sw.Jakuba) 1909-1923 Plac Narutowicza Parish Church of St. Agnes in Goniądz (1924) The expressionist Church of Christ the King and St. Roch in Białystok. It is one of the first modernist churches in the world. (1927–1939) Białystok - Starosielce: Church. Stanislaus (1937–1938) Lublin: Catholic Church. St. Michael the Archangel at Bronowice(1930–1938) Churches in Orłów, Grodno, Grudziądz, Fałków, Chlewiska Book - Establishment, structure, and characteristics of the street network in the metropolitan Warsaw region (Powstanie, układ i cechy charakterystyczne sieci ulicznej na obszarze wielkiej Warszawy) (1930), * Construction achievements in Poland (Dzieje budownictwa w Polsce) unfinished work, Volume I, published by PWN in 1964.

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Further reading Maria Brykowska (ed. [in Polish: pod redakcją Marii Brykowskiej]), Oskara Sosnowskiego Świat Architektury. Twórczość i Dzieła [the architectural world of Oskar Sosnowski. Creation and Work], Oficyna Wydawnicza Politechniki Warszawskiej, Warsaw 2004. The authoritative (but by no means exhaustive) source on Sosnowski. Andrzej K. Olszewski, Nowa Forma w Architekturze Polskiej 1900-1925, Wrocław / Warsaw, Polska Akademia Nauk 1967, was the first to point the international links of ‘the new forms in Polish Architecture’. On the Warsaw Church: Z.Sowińska-Bania, Kościół p.w.Niepokalnego Poczęcia Najświętszej Marii Panny w parafii św. Jakuba w Warszawie, in: Nasza Przeszłość (Kraków), no. 64, 1985, p. 167-198 (short French Summary). On Sosnowski’s architectural phantasies: Oskar Sosnowski. 'Twórczość plastyczna, Exhibition Catalogue', Muzeum Narodowe Warsaw 1995. On the Church in Białystok: A.Dolistowski, ‘Kościół św. Rocha w Białymstoku …’ in: Kwartalnik Architektury i Urbanistyki, Vol. 26 1981, part 3-4, pp 427–269. For Poland’s other major designer of those decades, Jan Koszczyc Witkiewicz see M.Leśniakowska, Jan Koszczyc-Witkiewicz (1881-1958) i budownictwo w jego czasach, Warsaw, Instytut Sztuki Polskiej Akademii Nauk 1998. S.Muthesius, Art, Architecture and Design in Poland, 966-1990 An Introduction (editions also in Gerrnan, French and Polish), Langewiesche Koenigstein im Taunus 1994. S.Muthesius, ‘New International Forms or Traditionalist Polish Style? Aspects…

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Commemoration Since 2012 in Białystok in Przydworcowe and Centrum there is a Sosnowski Street.

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Oskara Sosnowskiego świat architektury — Twórczość i dzieła (Oscar Sosnowski's world of architecture — Creativity and work). Wydawnictwo Politechniki Warszawskiej, 2004

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